The (not so) Golden Age: History of Musical Theatre
Rethinking the "Golden Age" of Musical Theater: A Call for Reflection
In this era of rapid artistic evolution, it's crucial to reevaluate the term "Golden Age" in the context of musical theater. Ashlee Espinosa, an MFA holder in musical theater and a seasoned college professor, sheds light on why this genre demands a fresh perspective for the future. Join us in this discussion as we explore the transformative impact of Richard Rodgers and Oscar Hammerstein II and contemplate whether it's time to rename and reframe this pivotal period in musical theater history.
Defining the Golden Age:
The "Golden Age" of musical theater emerged in the 1940s, courtesy of the visionary duo, Richard Rodgers and Oscar Hammerstein the second. Their groundbreaking compositions revolutionized the narratives presented on stage. Prior to this era, musicals were often characterized by lightheartedness and frivolity, a trend that continued from the 1920s into the 1930s. However, Rodgers and Hammerstein were determined to forge a new path, infusing their musicals with deeper emotional resonance.
Their works, including classics like "Oklahoma," "Carousel," "South Pacific," "The King and I," and "The Sound of Music," marked a departure from the norm. What set them apart was Richard Rodgers' seamless integration of Oscar Hammerstein's lyrics into the very fabric of the storyline. This dynamic shifted the paradigm, ensuring that every song and dance furthered the plot, rather than momentarily interrupting it.
Challenging the Notion of a "Golden Age":
While these musicals are often hailed as the pinnacle of the art form, it's essential to acknowledge that this period wasn't universally "golden" for everyone in the industry. Espinosa raises a pertinent question: are these works still relevant in today's cultural landscape? It's not a call to dismiss them, but rather an invitation to ponder their impact, both positive and challenging, on different individuals.
Evolving Perspectives:
As society progresses, so must our approach to the arts. Espinosa contends that we owe it to ourselves and the industry to acknowledge the evolution that has taken place since the 1940s. This involves appreciating the historical context of these musicals while recognizing that some of their themes may no longer align with our modern values.
Towards a More Inclusive Future:
I’m advocating for open conversations and an inclusive approach to staging these classics. We need to consider how these narratives, rooted in issues like misogyny, sexism, racism, homophobia, and ableism, can be presented in a way that is culturally sensitive and respectful or if they should not be presented in the future.
Reimagining the Genre:
The suggestion to rename this genre prompts us to consider alternative labels like "early dramatic musicals," "early Broadway," or "early musical comedy." Such terminology honors the legacy while acknowledging that the industry and society have evolved.
The "Golden Age" of musical theater is a vital chapter in our artistic history, but it's time for a critical reexamination. I encourage you to approach these musicals with a fresh perspective, one that pays tribute to the past while embracing the progress we've made as an industry and as a society. In doing so, we ensure that the legacy of musical theater continues to resonate in a relevant and inclusive manner.
Ashlee Espinosa is an accomplished theatre professional with a Master of Fine Arts in Musical Theatre. With her expertise as an experienced actress, passionate educator, and dedicated career advisor, she helps artists build fulfilling lives and careers based on their definition of success.
